3 from First Second
I’m finding that one of the best deals to be found at a comic convention is at the table of First Second. They reduce all of their graphic novels to $10 at shows and will throw in a free one if you buy two. My $20 got me A.L.I.E.E.E.N. by Lewis Trondheim, Klezmer by Joann Sfar, and The Black Diamond Detective Agency by Eddie Campbell. The premise of A.L.I.E.E.E.N. is that Trondheim has found an actual alien comic left in the woods in the Catskills (I suppose in his native French edition, it’s the Alps). The comic reminded me a bit of Jim Woodring’s Frank in that it is told without words (at least not of any Earth language) and that it is both funny and disturbing. Trondheim is as masterful at storytelling as Woodring and is very skilled at creating a world with its own rules and relationships as well as communicating those rules to the reader without the need for words or exposition.
I think I’m going to start picking up everything Joann Sfar does, at least everything he both writes and draws; he has 100 books in print and doesn’t draw all of them. Klezmer is the first of a series about a Klezmer band in Eastern Europe at around the turn of the 20th century (I think). This book mostly focuses on how these musicians come together and their individual backgrounds. I know next to nothing about Yiddish culture so it was interesting to get some insight into how they lived and Sfar really stresses the constant vulnerability they felt. Sfar’s art never did much for me until I began to read his comics. His drawing tends to fade away and become a form of writing. The images are not meant to be lingered on, they are dashed off with some watercolor thrown over them and the reader takes the image in and moves on. Other cartoonists take a similar approach, but most don’t draw as well as Sfar. Although his drawings are loose and pared down, they still are very expressive and always communicate what is going on. I’ll be picking up the next volume when it comes out.
Eddie Campbell’s Black Diamond Detective Agency was based on an unproduced movie script by C. Gaby Mitchell. The book starts in 1899 with a bombed train and something mysterious taken from it. It reads a bit like a Hollywood movie, with a Harrison Ford type unlikely hero on the lam and climaxing in a literally explosive ending. That’s not to say it’s bad, though. If Hollywood made movies executed as well as this, I might watch more of them, but at the same time, it doesn’t transcend the formula too much. It’s good to see Campbell drawing the 19th century again, but it doesn’t have the inventiveness or rich characterization as something like Klezmer.
Are You Often Impulsive in Your Behavior by Will Dinski
This was the first time I have seen Will’s work. He had a table of different books including a hard cover made by hand (God bless him). I settled on Behavior for a few reasons. One is that it is about a subject near to my heart and apartment: Scientology. Living in Los Angeles, Scientologists are everywhere, and I live next to one of their larger complexes on L. Ron Hubbard Dr. (I can only imagine how much they paid the city for that honor). Will’s comic is about taking a Scientology personality test in Minnesota. The comic is on one large sheet of cardstock, folded over twice to the size of a .45 record sleeve. The resulting book adds up to 4 pages and folds out to a large scale reproduction of Will’s test printed on the back of the sheet. The comic uses a combination of pleasing panel design, using mostly small squares filled with either drawings or dialogue as well as a strong use of 2 colors. Basically, the comic is well designed, drawn, and written, using the questions of the test against the testers in an effective way. Definitely seek Mr. Dinski out. He’d be a great candidate for an anthology.
Recent Work: A Menagerie of Short Tales by Corinne Mucha
I first saw Corinne’s comics at SPX a couple of years ago. Her boyfriend Sam gave me a copy of her mini I Lived in Alaska, which was about working there over a summer. Recent Works is made up of short strips of her daily live (much like I Lived in Alaska, but without the Alaska). I’m not usually into slice-of-life autobio comics, but instead of going for finding deep meaning or poignancy in mundane things, Corinne goes for humor, and wins me over. She has a somewhat naïve style similar to the drawings of illustrator Keri Smith, with the whimsy and charm of Souther Salazar. Probably my favorite part of the comic is about how boyfriend Sam picked a big booger out of his nose and stuck it in hers, which she had to pick out. I thought I terrorized my wife - something like that never occurred to me.
I Will Bite You by Joseph Lambert
I saw a lot of work by Center of Cartoon Studies students at MoCCA and Joseph is one of them. I Will Bite You is a mini comic about a kid who bites everything around him. In both theme and drawing style, it reminded me of children’s books circa 1910. It’s not drawn quite as well (but those guys were masters, and Joseph is a student), but that’s not to say it isn’t very capable work. The wordless storytelling is strong and clear, his pages are well designed and the book has that creepy, dangerous quality those old cautionary children’s books could have. I’d love to see a version with some lithographic coloring. The school probably isn’t set up for something like that, however.
wewedodo and Lobo Caliente by Molly Colleen O’Connell
Next to my table was one with 3 printmaking students from Maryland Institute College of Art. This table had a swarm around it all weekend and with good reason. They had a bunch of hand printed books and prints that were just gorgeous. I settled on 2 books by Molly Colleen O’Connell that are entirely screenprinted with 4 colors. There is a bit of a story to wewedodo, but frankly, I bought it for its appearance. It’s beautifully drawn, designed, and printed. Both books are remarkable and I would urge you to check out her website.
There were other books I wanted to discuss that stood out like Monica Gallagher’s Boobage (this was the only comic my non-comic reading wife read), G.B. Tran’s Mobile, the work of Matthew Swanson and Robbi Behr, and more, but I’ve already written close to 2000 words and have comics of my own to draw. Forgive me if you gave me something and I left it out. The general feeling I got from what I saw is that the bar is being raised in mini comics and artists are taking advantage of what can be done with a book in terms of printing and design when only printing a few hundred copies. It also looks like the drawing and craft of storytelling is getting stronger than what I’ve seen in the past. This would be a good time to be an anthology editor with so many talented, underexposed artists out there.
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